by Y E.
Sometimes we lose track of where we are in our knitting. I lose track when I do not file my papers. Immediately after the WCKG November 2007 meeting I wrote about Ivan Sayers’ presentation, & lost it. Now I must dig into Yeats’ “rag and bone shop of the heart.”
To paraphrase William Butler Yeats and transform into tales of Ivan Sayers words, gestures, slides, and knitted garments: The Circus Animals’ Desertion becomes the Retrieval of Knitwear through the centuries and decades beginning with the era of Queen Elizabeth the First going to the 1940s Red Cross school knitted squares and beyond.
As in Yeats’ “My circus animals were all on show,” we guilders were exposed to Ivan Sayers’ collection of knitted samples in a historical retinue review. What we in the last half of the twentieth century may have worn, discarded, and deserted, Ivan valued, kept, and displayed (because no one else does).
I converted some of the older slides into Sepia Cameos, such as the bathing beauty from 1900, and the 1941 German knit pant suit (hosenzugfurden).
We heard stories of Lily Langtry as the Jersey Lily because she was from the Isle of Jersey, and tricot is known as jersey. Coco Chanel did use cheap jersey for outerwear not innerwear. The cardigan is named after Lord Cardigan.
There is an exhibition “Women’s Clothing from La Belle Epoch” currently at the Vancouver Museum, which Sayers has curated.
We saw a Paris coat from 1911, knit sweaters from the fifties, and a handknit sweater with many dark horses on a light field. There was Claire McCardell’s couturier yellow knit evening dress; an Italian yellow cable knit sweater; a 1971 graduation long coat with hood that was handknit by a grandmother from Mission B.C; and an Eatons catalogue ethnic sweater.
Like Yeats’ “It was the dream itself enchanted me:”, my recall of Sayers’ evening was of a magic spell cast upon the knitters on the enchanted Isle of Oakridge. After the show, we were all encouraged to touch and feel the bags, capes, sweaters, and we were told if we needed to pursue any patterns, it was possible if we just asked him.
In my VGFA group, the Coast Character Doll Artists, we are planning a challenge to create characters in words. The point is to keep track of the original identity and personality of our dolls. Ivan Sayers has kept our guild knitting on track by giving us origins in time of the shawls, bags, and sweaters that we knit. This adds dimension to our work. Ivan’s presentation had heart, humour, and gusto. The evening enhanced our knitting by retrieval of our knitting past.